Now showing items 1-10 of 10

  • 1990 sonrasi Hollywood korku sinemasinda mise-en-abyme 

    Authors:Yaman, Sevin
    Publisher and Date:(Kadir Has University, 2017)
    1990 sonrasi Hollywood Korku Sinemasi'nin giderek kan kaybettigi ve cekilen filmlerin birbirinin tekrari hâline geldigi soylenmektedir. ''Metakorku'' olarak siniflandirilan bu filmlerin kendi yapilarina referans vererek tur kodlarini aynaladiklari gorulmektedir. Wes Craven John Carpenter ve Drew Goddard gibi yonetmenlerin filmlerinde ise bu konvansiyonlar sadece ifsa edilmek kalmaz ayni zamanda ihlâl de edilerek yeni bir soylem arayisina girilir. Korku Sinemasi'nin temsil krizini vurgulayan bu ...

  • Bakış ve insan: Blade Runner 2049 

    Authors:Oskay, Okan
    Publisher and Date:(Kadir Has University, 2019)
    Siberpunk sineması için temel konulardan bir tanesi insan ve insan olmayan arasındaki ayrımın muğlâklaşmasıdır. Bu konunun işlendiği zeminlerden bir tanesi ‘bakış’ kavramıdır. Bakış, insan-insan olmayan arasındaki beden ve zihin savaşının tam ortasında durmaktadır ve insana ait bir özellik olarak kodlanır. Bu tezin amacı, Blade Runner 2049 (Denis Villeneuve, 2017) filmine bakış açısı çekimi üzerinden biçimsel analiz uygulayarak, ‘bakış’ ve ‘insan’ kavramının diğer hangi kavramlarla ilişkil ...

  • Berlin the hyperreal and virtual realities of sex in a dark room 

    Authors:Sen, Burak
    Publisher and Date:(Kadir Has University, 2017)
    Berlin’s unique history as an urban epicenter for the key events of the previous centuries also witnesses an era which is known as the “Golden Twenties”. The sexually liberated atmosphere of the then Weimar Berlin is in a way being simulated inside spaces urban phenomena called the “dark room”. A popular type of accommodation in the nightlife scene of the city in 2017 which serves as an entertainment space for the people who seek to experience a sexually charged escape from the humdrumness of ...

  • Guideline for rabbit keepers 

    Authors:Aydın, Tuğçe
    Publisher and Date:(Kadir Has University, 2015)
    The study, based on my readings on the concepts of "abjection" and "liminality", consists of the video records of subsequent performances that I have created using my bodily expressions and my reflection in the mirror, as well as the following text in which I have given an account of my own experiences of the processes.

  • Immersion of the spectator 

    Authors:Esen, Tan Müyesser
    Publisher and Date:(Kadir Has University, 2019)
    From the first cinematic screening to this day, the basic concern of the mainstream cinema had been its attraction from the audience. Cinema enlarged its frame, curved its screen, darkened its theater, used multiple projectors and screens, added sound and color, used surrounding system in sound, added third dimension by using additional glasses, in order to make the audience immersed in the narrative, and to create an impression of reality. In the digital era, cinema as many other art forms ...

  • Manzara 

    Authors:Uluocak, Cengizhan
    Publisher and Date:(Kadir Has University, 2016)
    Manzara filmi Kinaliada’da geri donusum alani oldugu soylenen bir mekandaki canli ve cansiz varliklarin hayati uzerinedir. Film bu mekanda kadrajin icine aldigi ve kaydettigi canli cansiz her seyi ritmik bir kurguyla degisen farkli olcekteki goruntulerle sunar. Filmin kamerasi mekana mumkun mertebe mudahale etmeden buradaki olagan ve siradan akisi kaydetmistir. Kurgu esnasinda ise kamera olceklerinin en kucuk cerceveden en buyuk cerceveye dogru ilerleyerek cekilmis goruntuler uzerinden bir anlati ...

  • Scapegoats: the femme fatales of world war ii 

    Authors:Bozcu, Merve
    Publisher and Date:(Kadir Has University, 2014)
    The hard-boiled femme fatales of film noir are usually represented as evil females and as a result they are often seen as a danger to society. However this notoriety usually results in their deaths and/or murders. in the end they are transformed into victims. This thesis focuses on this contradiction in two regards: What are the main reasons that they become victims as femme fatales and what is the meaning of this dilemma? This research answers such questions by exploring and utilizing René Girard’s ...

  • Temsiliyet krizi: Çek yeni dalga filmlerinde sistem karşıtı kadınlar 

    Authors:Bayman, Selda
    Publisher and Date:(Kadir Has University, 2015)
    Bu tezde, 1962'den 1968'e kadar Çekoslovakya'da üretilmiş, Yeni Dalga sinema akımının etkilerini taşıyan ve kadın figürlerin anlatılarının merkezinde olduğu filmlerdeki kadın temsilleri, sistem karşıtı hareketler bağlamında tartışılıyor. Bu araştırmada, Çek Yeni Dalga sineması olarak tarif edilen akımın etkilerini taşıyan filmlerdeki kadın figürleri performansları, ve hem filmlerin anlatısı, hem anlatım biçimleri bakımından üstlendikleri fonksiyonlar bağlamında incelenmiştir. Tezde, bu figürlerin, ...

  • The abyme of the shallow 

    Authors:Tüzün, Defne
    Publisher and Date:(Taylor & Francis, 2014)

  • A threat exceeding the diegetic universe :the last horror movie 

    Authors:Dursun, Oguzhan
    Publisher and Date:(Kadir Has University, 2017)
    This thesis focuses on the film - The Last Horror Movie (Julian Richards 2003) - in which the protagonist is a serial killer who is recording his murders and trying to shoot his own movie. Additional to using a variety of conventions of the horror genre the film includes “found footage” mode. What makes the film distinct from its counterparts and renders it worthy of deeper inquiry is that found footage form takes on a different function. The thesis firstly makes a detailed formal analysis of The ...