Now showing items 1-2 of 2

  • Michael Haneke'nin film teorisi ve dramatik düşünce tarihi ile olan ilişkisi 

    Authors:Akyıldız, Yavuz
    Publisher and Date:(Kadir Has University, 2013)
    Bu calisma Michael Haneke sinemasinda var oldugu dusunulen sorumluluk duygusunun hangi yapilarla olusturuldugunu belirlemek icin basladi fakat filmler arasinda gorulen dramaturjik ve bicimsel paralellikler nedeniyle Michael Haneke’nin genel bir film teorisi olarak son buldu. calismanin dusunce tarihi bolumundeki basliklari Aristoteles Bertolt Brecht Nicolai Hartman ve Marksist Estetik olarak belirlendi. Ardindan teatral acidan aciklanan bu yapilarla sinematografinin iliskisi kuruldu. Son bolumde ...

  • A phenomenological approach to the film editing practice: Legacy of Maurice Merleau-Ponty 

    Authors:Çöl, Doğa
    Publisher and Date:(Kadir Has University, 2019)
    A phenomenological look on film editing through Merleau-Ponty’s ideas opens up a new way of seeing what editing is and how it affects the spectator. In the classical sense, editing is looked at technically where certain aspects of its use in the film’s language are interpreted and analyzed to understand why and how something is done. In this thesis, the aim is to not dwell on understanding the why and the how. The aim is to view film editing from a different perspective that might lead to ...