The concept of “collective enunciation,” which Deleuze and Guattari propose in delineating their idea of minor literature/cinema, remains regrettably underdeveloped for the purpose of exploring the political investment of a given film. In the context of cinema, the concept designates the possibility of attaining a collective voice in film under a set of negative conditions, such as the crisis of a private poetics and the objective disintegration of the category of the “people,” through the ...