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dc.contributor.advisorBaser, Tevfik Özcanen_US
dc.contributor.authorErtekin, Onuren_US
dc.date.accessioned2019-07-12T08:37:10Zen_US
dc.date.available2019-07-12T08:37:10Zen_US
dc.date.issued2016en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/2116en_US
dc.description.abstractBu calismada komedinin kisaca tanimi yapilmis Turkiye sinemasinda tarihsel gelisimi incelendikten sonra Turkiye sinemasinda komedi filmlerinin yeri ve en cok izlenen film serisi olan Recep Ývedik film serisi incelenmis ve yeni bir uzun metraj film senaryosu olan Yok Daha Neler bu incelemeyle karsilastirilarak okuyucuya sunulmustur. Karsilastirmadan once Turkiye sinemasindaki komedi filmleri senaryo yapilari ideolojik soylemleri karakterlerinin ozellikleri ve komedi anlayislari bakimindan tartisilmistir. Tum filmlerin ideolojik bir soylem icerdigi ortaya konulmustur. ve izleyici sayisi goz onune alinarak komedi filmlerde bu soylemin oneminin alti cizilmistir. Recep Ývedik film serisinin cinsiyetci homofobik bir soylem tasidigi ve kabaligi magandaligi normallestirerek yucelttigi vurgulanmistir. Buna karsin bu yapinin aksi filmler de oldugu belirtilmis ve okuyucunun dikkatine sunulmustur. Bu tartismalar isiginda yazilan senaryo Recep Ývedik film serisi ile karsilastirilarak elestirel bir noktadan ele alinmis ve alternatif bir komedi anlayisi icerdigi aktarilmistir. Son olarak senarist gorusu ile senaryo ile anlatilmaya calisilan mesajlar ve hedeflenenler aciklanmis ve Yok Daha Neler komedi filmi senaryosu okuyucuya sunulmustur.en_US
dc.description.abstractIn the scope of this study, after the definition and the historical background of the comedy is briefly introduced, the position of comedy movies and the most viewed film series Recep Ivedik are analysed and a new script of a feature film named Yok Daha Neler is presented with a paralleling. Before this comparison, the structures of scripts, the ideological discourse, the properties of characters and the sense of comedy in Turkish cinema are discussed. It is suggested that all of the films has an ideological standpoint and based on the audience numbers the importance of this discourse is highlighted. It is emphasized that Recep Ivedik series has a discourse that is sexist, homophobic and elevating of rudeness and bullying by normalization. In addition, it is highlighted that there are other films which are positioned at opposite of this view. At the end, the messages and the targets of the new script is explained by writer's opinion and Yok Daha Neler film script is offered to the readers.en_US
dc.language.isoTurkishen_US
dc.publisherKadir Has Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectSenaryoen_US
dc.subjectKomedien_US
dc.subjectSinemada ideolojien_US
dc.subjectRecep İvediken_US
dc.subjectKomedi tarihien_US
dc.subjectScripten_US
dc.subjectComedyen_US
dc.subjectIdeology in cinemaen_US
dc.subjectHistory of comedyen_US
dc.titleUzun metraj film senaryosu :Yok daha neleren_US
dc.typeMaster's Thesisen_US
dc.contributor.departmentKadir Has University : Graduate School of Social Sciences : Cinema and Televisionen_US


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