| dc.contributor.author | Behlil, Melis | |
| dc.date.accessioned | 2021-02-14T19:10:42Z | |
| dc.date.available | 2021-02-14T19:10:42Z | |
| dc.date.issued | 2012 | |
| dc.identifier.isbn | 978-144433725-9 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12469/3925 | |
| dc.description.abstract | [Abstract Not Available] | en_US] |
| dc.language.iso | eng | en_US |
| dc.publisher | John Wiley and Sons | en_US |
| dc.rights | info:eu-repo/semantics/closedAccess | en_US |
| dc.subject | (Eastern) European on Turkish Cinema, the national transcending Yeşilçam | en_US |
| dc.subject | Contemporary Turkish cinema, positioning within a Eastern European context | en_US |
| dc.subject | coup d'état of 1980, Turkey and social changes with trade unions banned | en_US |
| dc.subject | East is East, new Turkish cinema and Eastern Europe | en_US |
| dc.subject | European nature of Turkish "identity" and membership of the EU | en_US |
| dc.subject | Festival cycles, popular cinema and revival in Turkey | en_US |
| dc.subject | Films from Turkey, shown at international film festivals | en_US |
| dc.subject | Turkey's inclusion in Eurimages in 1990, position on an institutional level | en_US |
| dc.subject | Turkish-European relationships, going back to the Ottoman era | en_US |
| dc.subject | Yavuz Turgul's The Bandit (Eşki{dotless}ya) | en_US |
| dc.title | East is East?: New Turkish Cinema and Eastern Europe | en_US |
| dc.type | bookPart | en_US |
| dc.identifier.startpage | 504 | en_US |
| dc.identifier.endpage | 517 | en_US |
| dc.relation.journal | A Companion to Eastern European Cinemas | en_US |
| dc.identifier.doi | 10.1002/9781118294376.ch26 | en_US |
| dc.identifier.scopus | 2-s2.0-84885514842 | en_US |
| dc.institutionauthor | Behlil, Melis | en_US |
| dc.relation.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
