| dc.contributor.author | Gokcem, Selen | |
| dc.date.accessioned | 2023-10-19T15:12:58Z | |
| dc.date.available | 2023-10-19T15:12:58Z | |
| dc.date.issued | 2012 | |
| dc.identifier.issn | 2159-2411 | |
| dc.identifier.issn | 2158-8724 | |
| dc.identifier.uri | https://doi.org/10.5195/cinej.2012.46 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12469/5578 | |
| dc.description.abstract | Classic gaze theory that was underlined by Laura Mulvey in 1975 which claims the male gaze objectifies woman and turns the woman into a sex object, is lack in the explaining gaze from man to man. In Tom Ford's A Single Man the gaze is used from man to man different from man to woman and it is not perceived as something negative. By providing a queer gaze analysis, this article will show how homosexual people live their intimate feelings by gaze and how gay gaze can be different from the classic gaze in a way that it does not reduces the other one in an interior position. | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Univ Pittsburgh, Univ Library System | en_US |
| dc.relation.ispartof | Cinej Cinema Journal | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | homosexuality | en_US |
| dc.subject | gaze | en_US |
| dc.subject | gay gaze | en_US |
| dc.subject | 60s | en_US |
| dc.subject | sexual liberation | en_US |
| dc.title | Transperance Me I Want To Be Visible Gay Gaze in Tom Ford's film A Single Man | en_US |
| dc.type | article | en_US |
| dc.identifier.startpage | 86 | en_US |
| dc.identifier.endpage | 91 | en_US |
| dc.identifier.issue | 2 | en_US |
| dc.identifier.volume | 1 | en_US |
| dc.department | N/A | en_US |
| dc.identifier.wos | WOS:000446916900009 | en_US |
| dc.identifier.doi | 10.5195/cinej.2012.46 | en_US |
| dc.institutionauthor | Gokcem, Selen | |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
| dc.khas | 20231019-WoS | en_US |
