| dc.contributor.author | Akser, Murat | |
| dc.date.accessioned | 2023-10-19T15:12:59Z | |
| dc.date.available | 2023-10-19T15:12:59Z | |
| dc.date.issued | 2012 | |
| dc.identifier.issn | 2159-2411 | |
| dc.identifier.issn | 2158-8724 | |
| dc.identifier.uri | https://doi.org/10.5195/cinej.2012.59 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12469/5582 | |
| dc.description.abstract | This issue of CINEJ focuses on issues ranging from Malian Cinema, Islam in Turkish cinema, Bergman, Mulholland Drive and sound in early Hollywood cinema. | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Univ Pittsburgh, Univ Library System | en_US |
| dc.relation.ispartof | Cinej Cinema Journal | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Yeleen | en_US |
| dc.subject | Cisse | en_US |
| dc.subject | Bergman | en_US |
| dc.subject | Guney | en_US |
| dc.subject | Zizek | en_US |
| dc.subject | Lynch | en_US |
| dc.subject | Mulholland Drive | en_US |
| dc.subject | psychoanalysis | en_US |
| dc.title | Editorial | en_US |
| dc.type | editorial | en_US |
| dc.identifier.startpage | 1 | en_US |
| dc.identifier.endpage | 2 | en_US |
| dc.authorid | Akser, Murat/0000-0001-9772-394X | |
| dc.identifier.issue | 1 | en_US |
| dc.identifier.volume | 2 | en_US |
| dc.department | N/A | en_US |
| dc.identifier.wos | WOS:000446917600001 | en_US |
| dc.identifier.doi | 10.5195/cinej.2012.59 | en_US |
| dc.institutionauthor | Akser, Murat | |
| dc.relation.publicationcategory | Diğer | en_US |
| dc.authorwosid | Akser, Murat/G-3490-2014 | |
| dc.khas | 20231019-WoS | en_US |
