Mimarlık Bölümü Koleksiyonu

Permanent URI for this collectionhttps://gcris.khas.edu.tr/handle/20.500.12469/74

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Başka Kayda Rastlanmadı
(Salt/Garanti Kültür A.Ş., 2023) Agah Enes Yasa, Ahmet Ersoy, Ayşe Erek, Bülent Tanju, Cansu Yapıcı, Çağlar Fidan, Çiğdem Kafescioğlu, Ece Eldek, Efe Murad, Emirhan Altuner, Ezgi Sarıtaş, Gülce Özkara, Gürbey Hiz, İrvin Cemil Schick, Lorans Tanatar Baruh, Masum Yıldız, Mehmet Kendirci, Merve Ünsal, Murat Tülek, Nazım Dikbaş, Nurşen Gürboğa, Özge Ertem, Shirine Hamadeh, Tan Morgül, Yağmur Yıldırım, Yonca Güneş Yücel, Zehra Betül Atasoy
Tarihçi ve romancı Reşad Ekrem Koçu (1905-1975), 1944'te fasiküller hâlinde yayımlamaya başladığı ansiklopedisinde, kendi ifadesiyle İstanbul'un "muazzam kütüğü"nü oluşturur. Şehri kişi, yer, yapı, olay, âdet ve efsaneleri başta olmak üzere birçok yönüyle kayda geçirir. "Bundan sonra, üzerinde belki de ömrümü yıpratacağım" dediği İstanbul Ansiklopedisi için hayatının sonuna kadar çalışmaya devam eder. Başka Kayda Rastlanmadı, adını ansiklopedideki bazı maddelerin sonunda yer alan "hakkında başka kayda rastlanmadı" ibaresinden alıyor. Koçu'nun rehberliğinde İstanbul'a dair türlü anlatının peşine düşüp başka yerde kaydı olmayanların "tuhaf" ve "münasebetsiz" şehrine bakan aynı adlı serginin ardından, yayın ile bu kapsamlı arşivin farklı açılardan yorumlanması ve değerlendirmeye açılması amaçlanıyor. Edebiyat ile tarih, özel ile kamusal arasındaki ayrımları bulanıklaştıran Koçu külliyatı gibi, bu derlemedeki yazılar da İstanbul Ansiklopedisi'nin gündeme getirdiği tarihî, coğrafi, mimari, edebî ve kültürel birçok konuyu disipliner sınırların ötesinde ele alıyor. Farklı alanlardan yazarların katkılarıyla hazırlanan yayın, hem tarihsel hem de kişisel perspektiflerle Koçu'nun çalışma yöntemlerine, arşivin oluşum sürecine ve içeriğine çok yönlü bir bakış sunuyor.
Citation Count: 0
Building Modern Turkey: State Space and Ideology in the Early Republic
(Cambridge Univ Press, 2016) Bozdoğan, Sibel
[Abstract Not Available]
Citation Count: 1
Computation and Optimization of Structural Leaf Venation Patterns for Digital Fabrication
(ELSEVIER SCI LTDTHE BOULEVARD, LANGFORD LANE, KIDLINGTON, OXFORD OX5 1GB, OXON, ENGLAND) Gökmen, Sabri
The morphogenetic design process of networking patterns produces anisotropic structural systems that can offer generative solutions for custom design applications. As an example of this type of pattern application, the leaf venation algorithm is introduced that can be customized through parametric inputs and density maps. This method is extended onto mesh surfaces incorporating multiple software applications combining aspects of parametric design, optimization and digital fabrication. The dynamic workflow is presented using a case study project titled “Calyx,” a public artwork completed using the computational tools developed as part of the research. The networking structural pattern of the sculpture yielded to the development of a geometry optimization process that allowed the digital fabrication of planarized structural members. The technical aspects of the design development and post-rationalization process for the construction of leaf venations patterns are discussed.
Citation Count: 4
Computational Modeling and Analysis of Seljukid Muqarnas in Kayseri
(ASSOC COMPUTING MACHINERY1601 Broadway, 10th Floor, NEW YORK, NY 10019-7434) Gökmen, Sabri; Başık, Altan; Aykın, Yusuf; Alacam, Sema
As a historical and ornamental building element, muqarnas are widely found among the entrances of madrasas, mosques, and hans in Anatolian Seljuk architecture. In Kayseri (Turkey), muqarnas structures are characterized by symmetrical distribution of patterned geometric layers that presents computational rules for the design and construction of these ornamental structures. The presented research focuses on 12 unique muqarnas structures that are analyzed through a computational methodology combining photogrammetry, three-dimensional modeling, symmetry, and graph theory. The computational analysis shows that Seljukid muqarnas exhibit patterned branching of the symmetry axis between layers radiating from their geometric center. Using the modeled samples, the article analyzes inherent symmetry rules and growth patterns while offering a novel way of studying, modeling, and categorizing muqarnas.
Citation Count: 1
Designed by Balyan Family: the Sa'dabad Mosque
(Yıldız Technical Univ Fac Architecture, 2015) Alioğlu, Emine Füsun
Sa'adabad Mosque was built as an imperial mosque in the Tulip period (1718-1730) which corresponds to the reign of Ahmet III. The mosque was built in an area very popular in the Tulip Period at Kagithane and not in traditional districts of Istanbul such as the historic peninsula Uskudar or Eyup. This unusual choice of location is a reflection of the characteristics of its time. At the second half of the century new and different concepts in architecture were assessed in the Ottoman land and especially in urban Istanbul. Tulip Period was a period when western influences were first and naively flourished in the built environment. For the first time decoration program outside of the classical canon of Ottoman architecture were witnessed on details of the decorative elements such as doors windows and inscriptions and fountains as the focus of urban space were set at the centers of the squares and construction activity gained pace extramuros. The most fascinating work of the period is the Sa'adabad Palace built outside the historic peninsula by the Kagithane Creek. Sa'dabad Mosque was built in 1135/1722 within the Sa'dabad Palace. It was repaired at the times of Selim III (HD. 1789-1807) and Mahmut II (HD. 1808-1839). The original architecture of the mosque is unknown. Because the existing mosque was rebuilt by Abdulaziz (HD. 1861-1876) in 1279/1862 it is identified as the Aziziye Mosque after the Sultan Abdulaziz as well. The architect of this last mosque is the Balyan Family who had significant role at the construction activity of the period. It is accepted that Architect Sarkis Balyan together with his brother Agop Balyan were responsible from the construction.
Citation Count: 0
EAHN Conference Dublin June 2-5 2016: Closing Remarks
(Ubiquity Press Ltd, 2016) Bozdoğan, Sibel
A summary of the EAHN conference in Dublin in 2016 EAHN: Fourth International Meeting and an overview of the state of the field.
Citation Count: 0
Ecological Strategies for Designing Halys River: a Landscape of Flux
(Scibulcom Ltd, 2019) Yıldırım-Okta, Birge
Natural and manmade disasters led to the emergence of new approaches in designing our environment in the postindustrial era. Modern technological infrastructures failure to respond to the challenges from environmental hazards led the designers to restructure the landscape. This in turn, led to a shift in landscape architecture, planning and architecture discipline. In the past decade green infrastructure has been a topic for debate among practitioners and theorists across different disciplines, ranging from architecture, urban planning, engineering to geography and biology. The discourse appears to be an operational and promising tool in planning, designing resilient eco-system based infrastructures. This paper discusses an interdisciplinary design proposal for Sivas, Halys River in a landscape urbanistic manner. The aim of the project was to create a cultural and ecological corridor in Sivas, Turkey that is adaptable to changes and dynamics over time, considerate to ecosystem and human conditions. In the light of discourse of green infrastructure the paper derives adaptive design strategies for ecological urbanism.
Citation Count: 1
Haydarpasa Train Station: Present Past and Future
(Middle East Technical Univ, 2013) Erkan Kösebay, Yonca
The facade of Haydarpasa Train Station has been changed more than once in the course of its century old life time. Until the fire in November 2010 wiping out the roof the building was recalled only with a single image although the original facade of the building was slightly different than it is commonly remembered one. Currently while the wounds of the building are on the verge of healing a new identity for the station is being tailored
Citation Count: 0
Luleburgaz Train Station at the Turn of the Twentieth Century
(Middle East Technical Univ, 2011) Erkan Kösebay, Yonca
The literature on the architecture of the Ottoman railway buildings is highly limited. In terms of architectural history the data presented here gathered through original documents at archives and personal collections is especially significant. In this paper five original drawings are introduced. Based on these documents information on the construction techniques plans and materials of the railway buildings are revealed. It is also understood that in this particular period of time several revisions were made in the original plan(ning) of the station such as the lodgments which were added for new officers. In that sense this paper illuminates the stratified history of the railway construction in the Ottoman Empire through one particular example. The original documents presented here vary in scale (from 1/25000 to 1/100) which makes it possible to deduce information from the level of urban scale to the level and scale of materials in concern. Other than the drawings hand written notes on these plans provide momentous data concerning the railway history.
Citation Count: 0
Metamorphic Leaves
(Mıt Press, 2020) Gökmen, Sabri
This article introduces an algorithm influenced by Goethe's concept of metamorphosis capable of generating a wide range of parametric leaf forms. Metamorphosis is defined as alternating stages of expansion and contraction that are observable during the development of flowering plants. This principle is extended toward leaf morphology, where two main developmental trajectories are outlined. By formulating simple two-dimensional geometric rules, the author tests the concept of metamorphosis on parametric leaf forms.
Citation Count: 11
Railway Heritage of Istanbul and the Marmaray Project
(Taylor & Francis Inc, 2012) Erkan Kösebay, Yonca
This study explores the significance of Istanbul's railway heritage and discusses the criteria for evaluating the historical importance architectural value and social issues surrounding the city's rail system leading into an examination of the consequences of the Marmaray Project. The Marmaray Project is a commuter rail system designed to unify Istanbul's two independent rail transportation systems and it will connect Halkali on the European side with Gebze on the Asian side of the city. With the beginnings of rail construction in the 1870s the waters of the Bosphorus separated the Oriental Railway on the European side from the Anatolian and the Baghdad Railway preventing a direct connection between Europe and Asia. The Marmaray Project will actualize this universal long desired dream via an under water tunnel. However the design of the project bears significant risks for the city's railway heritage dating back to the 19th and 20th centuries. At risk are structures used by travelers lodgings ateliers depots water closets (WC's) underpasses retaining walls bridges and old trees.
Citation Count: 0
Rediscovering Goethe's Concept of Polarity: a New Direction for Architectural Morphogenesis
(Middle East Technical University, 2020) Gökmen, Sabri
This paper will introduce Goethe's concept of polarity to discuss its theoretical and computational implications on natural and architectural morphogenesis (1). Polarity, as a dualist principle, is found in most of Goethe's body of works, particularly in his treatise on colour and botanical writings. This concept is explored from a morphogenetic perspective to reconsider Goethe's engagement with natural sciences during Enlightenment where he transfers his ideas on form and growth to architecture. In the first part, morphogenesis as a concept for the study of organic growth is discussed that combines modern research in biology and architecture. In the second part, Goethean morphology as a unified science founded on polar principles is presented to discuss a historical perspective to morphogenesis. Here, Goethe's concept of metamorphosis is highlighted as a principle founded on polarity, formulated with alternating cycles of expansion and contraction. These concepts are explicated using an algorithmic study of leaf development to discuss its morphogenetic application to the study of form and growth in natural morphogenesis. In the last part, Goethe's morphological views are extended towards architecture within the framework of organicism where his ideas on the polarity are directed towards the aesthetic reception and formal development of the built environment. Comparing the form of two Gothic cathedrals, Laon and Noyon, the paper will offer a developmental model based on the concept of metamorphosis as an alternative trajectory for morphological research in architecture.
Rekonstrüksiyon Ya Da Yeniden Yapma, Hangi Yapı İçin? Taksim Topçu Kışlası için Bir Değerlendirme
(Yıldız Teknik Üniversitesi, 2013) Alioğlu, Emine Füsun
[Abstract Not Available]
Citation Count: 0
Woman, Home, and the Question of Identity: a Critical Review of Feminist Literature
(Doğu Akdeniz Üniversitesi Kadın Araştırmaları ve Eğitimi Merkezi, 2013) Kılıçkıran, Didem
Much ink has been spilled over the association of women with the material and imaginary geographies of the home. In this paper, I will discuss this association with reference to the feminist literature on the home, which, in the second half of the last century, produced a fascinating critique of the home as part of a larger debate on the connection between space and place and the construction of gender relations and ideologies. I will focus particularly on how the problem of the home in feminism has been defined as one of identity, referring to some key works in feminist literature that have put forward notions of the home as a place that women have to leave behind if they are to find their identities beyond those imposed upon them by society at large. In doing this, I will also give voice to criticisms that have been raised from within feminism itself against a totally negative depiction of the home, and discuss whether it is possible to envisage a more positive image of the home in feminism in relation to women’s identities.
Citation Count: 0
Yirminci Yüzyılın Başında Lüleburgaz Tren İstasyonu
(2011) Erkan Kösebay, Yonca
[Abstract Not Available]

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