Radyo Televizyon ve Sinema Bölümü Koleksiyonu

Permanent URI for this collectionhttps://hdl.handle.net/20.500.12469/64

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Citation - WoS: 21
Rap Hiphop Kreuzberg: Scripts Of/For Migrant Youth Culture in the Worldcity Berlin
(Telos Press Ltd, 2004) Soysal, Levent
[Abstract Not Available]
Citation - WoS: 1
A Moebial Ride Through Polanski's Repulsion
(Univ Pittsburgh, 2020) Tüzün, Defne
This article examines Roman Polonski's film Repulsion from a psychoanalytic perspective by attending Julia Kristeva's notion of abjection. This paper deals primarily with two main focal points. First, it focuses on the film's portrayal of the protagonist, Carole's abjection, her problem of non-differentiation, as evidenced by her relation to the maternal body and to corporeality. Secondly, the article investigates how the film positions its viewers with regard to Carole. It questions how Repulsion impels its spectators to engage Carole with a similar non-differentiation by generating a complex web of ambiguities with regard to the differentiation between external/internal, objective/subjective and reality/fantasy.
Citation - WoS: 6
Citation - Scopus: 7
Cinema Has Split the Girl's Soul Into Pieces: Scrutinizing Representations of Women in Films From Turkey
(University of Southern California, 2020) Cengiz, Esi̇n Paça
The 1980s in Turkey were marked by the emergence of new cinematic forms, including films dealing with issues regarding female subjectivity. This article argues that within the scope of an extensive body of films produced about women in the 1980s, Her Name Is Vasfiye, Aaahh Belinda!, How to Save Asiye, Ten Women, and My Dreams, My Love and You opened up a significant space for discussions about ideological constructions concerning images of women in cinema. By deploying reflexive and fragmented structures, laying bare the ideological operations of voice-over and dubbing, and deploying the screen personas Türkan Şoray and Müjde Ar as cinematic tools, these films offer up a critique of representations of women onscreen, including the trend of “women's films.”
Citation - WoS: 3
Citation - Scopus: 6
Essayistic Tendencies in Contemporary Kurdish Filmmaking in Turkey
(Univ Illinois Press, 2019) Akçalı Kuyucu, Elif
[Abstract Not Available]

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