Yıldırım, Şeyda Nur

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Yıldırım, Şeyda Nur
Ş.,Yıldırım
Ş. N. Yıldırım
Şeyda Nur, Yıldırım
Yildirim, Seyda Nur
S.,Yildirim
S. N. Yildirim
Seyda Nur, Yildirim
Job Title
Misafir Araştırmacı
Email Address
Seyda.yıldırım@khas.edu.tr
Main Affiliation
Visual Communication Design
Status
Former Staff
Website
ORCID ID
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Turkish CoHE Profile ID
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Scholarly Output

3

Articles

2

Citation Count

0

Supervised Theses

1

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2021 - 20222
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Type: Article

Scholarly Output Search Results

Now showing 1 - 2 of 2
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    Article
    Large-Scale Collaborative Research Projects in Theatre and Performance Studies: Resources, Politics, and Ethics in the Margins of Europe During the Covid-19 Pandemic
    (The University of Kansas, Department of Theatre and Dance, 2021-09) Altinay, Rüstem Ertuğ; Karabekir, Jale; Tosun, Gamze; Yıldırım, Şeyda Nur; Çınar, İlyas Deniz
    Staging National Abjection: Theatre and Politics in Turkey and Its Diasporas is a research project funded by the European Research Council’s Starting Grants program. Building on the initial insights of the project, the authors study collaboration as a performative process. They analyze the promises and risks involved in large-scale collaborative research projects and how they unfold in the context of Turkish academia and the COVID-19 pandemic. The authors examine how they manage their responsibilities to fellow members of their research team, to other members of Turkish academia, to the minoritarian communities they work with, and to the broader public who funds their research. Finally, they discuss how they work toward collective care and empowerment while negotiating the demands of globalized neoliberal academia as well as the oppressive sociopolitical environment in Turkey and explore the limits of their scholarly and ethical endeavors.
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    Article
    Citation - WoS: 0
    Citation - Scopus: 0
    The Performativity of Terrorism: Subversive Experimentalist Techniques in Pornography (2007) by Simon Stephens
    (Routledge Journals, Taylor & Francis Ltd, 2022) Yildirim, Seyda Nur; Yıldırım, Şeyda Nur
    Although terrorism has a complex genealogy as a political concept, contemporary discussions on new terrorism use a reductionist discourse on the legitimacy of violence. In this article, I discuss the performativity of terrorism - its repetitive, citational, and necessarily discursive composition within the established social system - in the context of Pornography (2007) by Simon Stephens. I argue that subversion of conventional playwriting techniques in Pornography reveals the complex social and political dynamics that continually refigure terrorism as the counter-image of war.