Okuş, Dila

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Okuş, Dila
D.,Okuş
D. Okuş
Dila, Okuş
Okus, Dila
D.,Okus
D. Okus
Dila, Okus
Okuş,D.
Job Title
Misafir Öğr. Gör.
Email Address
Dıla.okus@khas.edu.tr
Main Affiliation
Theatre
Status
Former Staff
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Scholarly Output

5

Articles

4

Citation Count

0

Supervised Theses

1

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20201
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Author: Sarıkartal, Çetin Kemal

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    Master Thesis
    Gündelik-dışı Sahne Davranışı: Odin Tiyatrosu'nda Oyunculuk Çalışması
    (Kadir Has Üniversitesi, 2020) Okuş, Dila; Okuş, Dila; Sarıkartal, Çetin Kemal; Sarıkartal, Çetin
    Directors who affected 20th century theatre thought, Konstantin Stanislavsky, Vsevolod Meyerhold and Jerzy Grotowski, conducted comprehensive studies on the position of acting through theatrical aesthetic. In order to realize the theatrical aesthetic that they aim, those theatre people emphasized actors need to practice systematic exercises and develop particular stage behaviour different than daily behaviour. Thanks to all their studies, theoretical studies on acting had led up. The actor who is going to act among the reality that fictionalized on theatre stage, no matter the strength of its relationship with daily reality, has to leave the automatized daily behaviour and develop a technique that is built upon the necessities of the stage context. In that sense, the form and quality of the communication between the actor and the spectator absolutely dependent on the actors technique. In this dissertation, the basis of extra-daily stage behaviour of actors in Odin Theatre and the recurring principles as the foundation of actors' technique is being mentioned in consideration of approaches and studies of directors who strongly affected the theatre approach that developed through 20th century Stanislavsky, Meyerhold and Grotowski. The relationship between the actor and the spectator in Odin performances is being analysed through acting practices, with the help of the concept of organic dramaturgy, which is mentioned by Eugenio Barba. The practice of creation and elaboration of score of the actor, who developed extra-daily stage behaviour through acting exercises, is being taken as a theatrical tool and the actors communication with the spectator is being discussed through this activity.