Defining Italian Neorealism: A Compulsory Movement

dc.contributor.author Kartal, Esma
dc.date.accessioned 2023-10-19T15:13:00Z
dc.date.available 2023-10-19T15:13:00Z
dc.date.issued 2013
dc.department-temp [Kartal, Esma] Kadir Has Univ, Istanbul, Turkey en_US
dc.description.abstract Being one of the most influential cinematic movements in film history, Italian neorealism has not been very easy to define. Although one can easily recognize a neorealist film, not all neorealist films share the exact same characteristics. In this paper, four films that have often been labeled as neorealist will be discussed in light of their makers' views on neorealism and the general characteristics of neorealism as a movement. These films are Roberto Rossellini's Germania anno zero (1948), Vittorio De Sica's Ladri di biciclette (1948) and Umberto D. (1952), and lastly Federico Fellini's La strada (1954). en_US
dc.identifier.citationcount 0
dc.identifier.doi 10.5195/cinej.2013.73 en_US
dc.identifier.endpage 148 en_US
dc.identifier.issn 2159-2411
dc.identifier.issn 2158-8724
dc.identifier.issue 2 en_US
dc.identifier.scopusquality N/A
dc.identifier.startpage 140 en_US
dc.identifier.uri https://doi.org/10.5195/cinej.2013.73
dc.identifier.uri https://hdl.handle.net/20.500.12469/5585
dc.identifier.volume 2 en_US
dc.identifier.wos WOS:000446918300009 en_US
dc.identifier.wosquality N/A
dc.institutionauthor Kartal, Esma
dc.khas 20231019-WoS en_US
dc.language.iso en en_US
dc.publisher Univ Pittsburgh, Univ Library System en_US
dc.relation.ispartof Cinej Cinema Journal en_US
dc.relation.publicationcategory Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.title Defining Italian Neorealism: A Compulsory Movement en_US
dc.type Article en_US
dc.wos.citedbyCount 1
dspace.entity.type Publication

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