Browsing by Subject "Reality"

Now showing items 1-4 of 4

  • A freudian study of depression in post World War ii American theatre 

    Authors:Günay, Emre
    Publisher and Date:(Kadir Has University, 2009)
    Depresyonu anlamak icin karakterin yetisip buyudugu ve bilincaltinin olustugu gecmis sartlari incelemek gerekir. Gecmisten gelen anilarla dolu olan bilincalti davranisin sekillenmesinde onemli rol oynar. Ve bazidusunceler topluma uyum saglamak amaciyla bastirilir. Bilincaltinin bir parcasi olan bastirma kisinin bilincine surekli baski yapar. Bilincalti ve onun parcasi olan bastirma karakterlerin depresyonunu aciklamada odak noktasi olacaktir. Ýnsanlar kayiplari karsisinda uzulurler ama kayiplari ...

  • Interaction of artistic practices and curatorial attitudes through exhibition making 

    Authors:KENANOĞLU, GÜLİSTAN
    Publisher and Date:(2023-01)
    Curatorial forms are in continuous change and transformation within developing artistic practices closely related to its era's political, economic, and social structure. Curatorial forms and artistic practices have constant communication, and it is not possible to draw a border between them. The forms of artistic productions and curatorial works have had a positive impact on some exhibitions. Some exhibitions have contented with the existing trends and turned them into an exhibition form. Apart ...

  • İz adlı kısa film çalışmasının yaratım süreci 

    Authors:Gökbayrak, Simge
    Publisher and Date:(Kadir Has University, 2011)
    Bu çalışmada; Film ve Drama Yüksek Lisans Programı'nda yönetmenlik odak alanlı eğitim gören Simge Gökbayrak'ın ?İz? adlı kısa filmi çekme süreci ele alınmıştır. Filmde 'haber alma' durumu üzerinden kitle iletişim araçlarının günümüz toplumuna etkisi duyarsızlaşma, alışma ve Baudlliard'ın Simülasyon Kavramı ve kitle iletişm araçlarına bakışı bağlamında değerlendirilecektir.

  • A threat exceeding the diegetic universe :the last horror movie 

    Authors:Dursun, Oguzhan
    Publisher and Date:(Kadir Has University, 2017)
    This thesis focuses on the film - The Last Horror Movie (Julian Richards 2003) - in which the protagonist is a serial killer who is recording his murders and trying to shoot his own movie. Additional to using a variety of conventions of the horror genre the film includes “found footage” mode. What makes the film distinct from its counterparts and renders it worthy of deeper inquiry is that found footage form takes on a different function. The thesis firstly makes a detailed formal analysis of The ...