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dc.contributor.advisorAkçalı Kuyucu, Elifen_US
dc.contributor.authorMuftuoglu, Denizen_US
dc.date.accessioned2019-07-12T08:39:18Zen_US
dc.date.available2019-07-12T08:39:18Zen_US
dc.date.issued2017en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/2314en_US
dc.description.abstract2000'li yillarda Turkiye'de korku filmlerindeki artis pek cok arastirmacinin ilgisini cekmis konu hakkinda makaleler ve tezler yazilmistir. Arastirmacilarin bazilari korku filmlerindeki Ýslam dini ogelerini incelerken bazilari feminist elestiri acisindan kadinin sunumu uzerinde durmustur. Ne dinin ne de kadinin bir korku ogesi olarak filmlerde kullanilmasi yenidir. 2000'lerden sonra yeni bir yaratim surecine giren yerli sinema esasinda onceki yillarda yaptigi gibi korku filmlerinde Bati sinemasini ornek almis dini ve cinselligi Batidaki ornekler gibi kullanmis fakat bu defa yerel motiflerle birbirine benzeyen filmler ureten yeni bir korku sinemasi furyasi yaratmistir. Bu uygulamali tez icin 2000'li yillarda Turkiye'de cekilen korku filmleri incelenmis hem yapilan orneklere cok benzeyen hem de ideolojik olarak bu filmlerden ayrilan Ýstikamet uzun metraj filminin senaryosu yazilmistir. onceki orneklerin Turkiye Sinemasi'nda yeni bir akim baslattigi ama bunun geregini layikiyla yerine getiremedigi dusunulmektedir. Feminist bakis acisiyla yazilan bu senaryo hem bu ture yeni bir hikaye eklemenin hem de onlardan farkli olmanin pesindedir.en_US
dc.description.abstractThe increase in the horror films of the 2000s in Turkey attracted the interest of many researchers and some articles and theses were written about the subject. Some researchers examined Islamic religious items in horror movies, while others focused on women's representations in terms of feminist criticism. Neither religion nor woman is new to use in films as a source of fear. After the 2000s, a new type of horror movie has been created that exemplifies Western cinema and uses religion and sexuality as examples in the West, but this time produces movies that look alike with local motifs, as it did in previous years on the basis of a domestic cinema that entered a new creative process. This practice-based thesis contains the examination of horror films taken in Turkey after the year 2000 and a horror film scenario The Direction very similar to the examples made and separated ideologically from these films. It is thought that the previous examples have started a new trend in the Turkish cinema but they cannot fulfill the necessity of it properly. This scenario, written with a feminist point of view, aims not only to add a new story to this genre but also to be different from them.en_US
dc.language.isoTurkishen_US
dc.publisherKadir Has Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectKorku filmlerien_US
dc.subject2000'leren_US
dc.subjectDinen_US
dc.subjectKadınen_US
dc.subjectFeminist Sinemaen_US
dc.subjectTürkiye Sinemasıen_US
dc.title2000'li yillarda Turkiye'de cekilen korku filmleri ve istikamet uzun metraj film senaryosuen_US
dc.typeMaster's Thesisen_US
dc.contributor.departmentKadir Has University : Graduate School of Social Sciences : Cinema and Televisionen_US


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