Browsing by Publisher "Univ Pittsburgh, Univ Library System"
Now showing items 1-13 of 13
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Defining Italian Neorealism: A Compulsory Movement
(Univ Pittsburgh, Univ Library System, 2013)Being one of the most influential cinematic movements in film history, Italian neorealism has not been very easy to define. Although one can easily recognize a neorealist film, not all neorealist films share the exact same ... -
Editing The Thin Blue Line: How can we destroy actuality with editing?
(Univ Pittsburgh, Univ Library System, 2012)Reviews referring to Francis Ford Coppola's Columbia Pictures Bram Stoker's Dracula classic of 1992 recurrently mention the images owing to the camera work of Michael Ballhaus as the striking feature of the movie and highly ... -
Editorial
(Univ Pittsburgh, Univ Library System, 2012)This issue of CINEJ focuses on issues ranging from Malian Cinema, Islam in Turkish cinema, Bergman, Mulholland Drive and sound in early Hollywood cinema. -
Editorial
(Univ Pittsburgh, Univ Library System, 2013)This issue of CINEJ deals with approaches to films from different parts of the world ranging from India and China to Italy and Canada. Detailed analyses on films about Ghandi, docufictions on New York City, reflections of ... -
Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens
(Univ Pittsburgh, Univ Library System, 2012)The Maysles brothers' 1975 documentary, Grey Gardens, portrays the lives of Edith Bouvier Beale and her daughter, Edith, known as Little Edie, the aunt and first cousin, respectively, of Jacqueline Bouvier Kennedy Onassis. ... -
The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter
(Univ Pittsburgh, Univ Library System, 2011)[Abstract Not Available] -
Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch's Mulholland Drive
(Univ Pittsburgh, Univ Library System, 2012)This is a reading of David Lynch's Mulholland Drive through psychoanalytic approach of Lacan from the perspective of formation of fantasy and shifting identities. Lynch constructs his films consciously choosing his themes ... -
Nation, Genre and Female Performance in Canadian Cinema
(Univ Pittsburgh, Univ Library System, 2013)This paper outlines a theory of style and performance in Canadian film based on geography, gender and genre. It is possible to form a theory of Canadian cinema based on theme-genre (strong women, nature as oppressor in ... -
Nostalgia for the Light: A 'Documemory' and The Conflict between History and Memory
(Univ Pittsburgh, Univ Library System, 2013)The aim of this paper is to analyze the diverse abstract and cinematic approaches that Guzman uses to build an image of the issues in contemporary Chile. I argue that Guzman's documentary investigates the consequences of ... -
Reinvigorating Film Studies: An Immodest Proposal
(Univ Pittsburgh, Univ Library System, 2011)CINEJ Cinema Journal is a newcomer to the field of film studies. It is committed to publishing fresh and original research in the fields of film and media studies. The need for such a journal is result of emergence of fresh ... -
Return to Reality: Towards A More Tactile Cognition of Film Theory
(Univ Pittsburgh, Univ Library System, 2012)Film theory has lost itself in the woods among debates of the mind and the senses. Ther are those who are interested in a more tactile sense of the real in film studies. This issue of CINEJ focuses on the documentary truth ... -
Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light
(Univ Pittsburgh, Univ Library System, 2012)The films of Ingmar Bergman have oftentimes been considered depressing and pessimistic. Nevertheless. there is enough material to claim that this is not the case. Two of his early pieces, Det sjunde inseglet/The Seventh ... -
Transperance Me I Want To Be Visible Gay Gaze in Tom Ford's film A Single Man
(Univ Pittsburgh, Univ Library System, 2012)Classic gaze theory that was underlined by Laura Mulvey in 1975 which claims the male gaze objectifies woman and turns the woman into a sex object, is lack in the explaining gaze from man to man. In Tom Ford's A Single Man ...