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dc.contributor.authorManav, Banu
dc.contributor.authorJuan, Serra
dc.contributor.authorGouaich, Yacine
dc.date.accessioned2021-05-12T14:50:32Z
dc.date.available2021-05-12T14:50:32Z
dc.date.issued2021
dc.identifier.issn2095-2635en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/4021
dc.description.abstractColor preference for the interior of a bedroom of Le Corbusier's Swiss Pavilion was studied using 1931 Salubra color keyboards in a cross-cultural analysis. Results indicate that students from architecture and interior design slightly dislike or are indifferent to Le Corbusier color combinations and prefer pale and low saturated colors for interior architecture. The least preferred colors belong to green and brown hues. Scarce significant gender differences are found that follow a stereotyped tendency, with females preferring pinks, light blues and light greens, while males vivid oranges and Vermilions. Near Easterners are significantly more likely to green colors, while Western Europeans to dark greys. These data indicate that not only hue, but also value and saturation are important color features to inform preference for interior architecture.en_US
dc.language.isoengen_US
dc.publisherHigher Education Press Limited Companyen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectArchitectural Policromieen_US
dc.subjectColor preferenceen_US
dc.subjectLe Corbusieren_US
dc.subjectSalubraen_US
dc.subjectSwiss Pavilionen_US
dc.titleAssessing architectural color preference after Le Corbusier's 1931 Salubra keyboards: A cross cultural analysisen_US
dc.typearticleen_US
dc.relation.journalFrontiers of Architectural Researchen_US
dc.identifier.wosWOS:000691223300003en_US
dc.identifier.doi10.1016/j.foar.2021.03.00en_US
dc.identifier.scopus2-s2.0-85104418662en_US
dc.institutionauthorManav, Banuen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US


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