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dc.contributor.advisorgunsur yuceil, zeynep sirelen_US
dc.contributor.authorÇAKMAK, Şükran
dc.date.accessioned2023-08-02T08:43:57Z
dc.date.available2023-08-02T08:43:57Z
dc.date.issued2022-09
dc.identifier.urihttps://hdl.handle.net/20.500.12469/4449
dc.description.abstractThis thesis aims to examine Konstantin Stanislavsky's acting method through the concepts of continuity and pause, which are critical elements for his time, by focusing on the effects of modernization on the art of theatre. As a pioneer through his efforts to systematize the art of acting in a period of radical changes for both his country and the world, Stanislavsky’s emphasis on continuity and the element of pause will be analyzed through the lens of the specific time experience of his era.en_US
dc.language.isoturen_US
dc.publisherKadir Has Üniversitesien_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectActingen_US
dc.subjectActor Trainingen_US
dc.subjectModernityen_US
dc.subjectModernizationen_US
dc.subjectKonstantin Stanislavskyen_US
dc.subjectPauseen_US
dc.subjectContinuityen_US
dc.subjectThe Through Line of Actionen_US
dc.titleGerçekçi oyunculukta es: Stanislavski'nin çalışmalarının modernlik ve süreklilik bağlamında incelenmesien_US
dc.typemasterThesisen_US
dc.departmentEnstitüler, Lisansüstü Eğitim Enstitüsü, Sanat ve Tasarım Ana Bilim Dalıen_US
dc.relation.publicationcategoryTezen_US
dc.identifier.yoktezid764659en_US


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