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dc.contributor.authorTuzun, Defne
dc.date.accessioned2023-10-19T15:12:59Z
dc.date.available2023-10-19T15:12:59Z
dc.date.issued2012
dc.identifier.issn2159-2411
dc.identifier.issn2158-8724
dc.identifier.urihttps://doi.org/10.5195/cinej.2012.48
dc.identifier.urihttps://hdl.handle.net/20.500.12469/5580
dc.description.abstractThe Maysles brothers' 1975 documentary, Grey Gardens, portrays the lives of Edith Bouvier Beale and her daughter, Edith, known as Little Edie, the aunt and first cousin, respectively, of Jacqueline Bouvier Kennedy Onassis. As their identical names imply, the Beales share a symbiotic relationship which is reflected in every aspect of their We. This article argues that Grey Gardens calls for Julia Kristeva 's insistence on abjection as a crucial struggle with spatial ambivalence (inside/outside uncertainty) and an attempt to mark out a space in the undifferentiated field of the mother-child symbiosis. In Powers of Hoffor, Kristeva (1982) states. abjection preserves what existed in the archaism of pre-objectal relationship (p. 10). Grey Gardens portrays the topology of the mother-child dyad. which pertains to a particular spatio-temporality: where this primordial relationship is concerned object and subject crumble, and the distinction between past and present is irrelevant.en_US
dc.language.isoengen_US
dc.publisherUniv Pittsburgh, Univ Library Systemen_US
dc.relation.ispartofCinej Cinema Journalen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectdocumentaryen_US
dc.subjecttruthen_US
dc.subjectfictionen_US
dc.titleGarden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardensen_US
dc.typearticleen_US
dc.identifier.startpage92en_US
dc.identifier.endpage102en_US
dc.identifier.issue2en_US
dc.identifier.volume1en_US
dc.departmentN/Aen_US
dc.identifier.wosWOS:000446916900010en_US
dc.identifier.doi10.5195/cinej.2012.48en_US
dc.institutionauthorTuzun, Defne
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.khas20231019-WoSen_US


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