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dc.contributor.authorAkser, Murat
dc.date.accessioned2023-10-19T15:13:00Z
dc.date.available2023-10-19T15:13:00Z
dc.date.issued2013
dc.identifier.issn2159-2411
dc.identifier.issn2158-8724
dc.identifier.urihttps://doi.org/10.5195/cinej.2013.75
dc.identifier.urihttps://hdl.handle.net/20.500.12469/5586
dc.description.abstractThis issue of CINEJ deals with approaches to films from different parts of the world ranging from India and China to Italy and Canada. Detailed analyses on films about Ghandi, docufictions on New York City, reflections of contemporary terror in historical cinema, Chinese Soft Film Movement, road movies, religious identification in films, documemory, Italian neorealism and female performance in Canadian cinema are presented in this issue.en_US
dc.description.sponsorshipUniversity of Pittsburgh Pressen_US
dc.description.sponsorshipThis journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press.en_US
dc.language.isoengen_US
dc.publisherUniv Pittsburgh, Univ Library Systemen_US
dc.relation.ispartofCinej Cinema Journalen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectGandhien_US
dc.subjectWendersen_US
dc.subjectCanadianen_US
dc.subjectneo realismen_US
dc.titleEditorialen_US
dc.typeeditorialen_US
dc.identifier.startpage1en_US
dc.identifier.endpage3en_US
dc.authoridAkser, Murat/0000-0001-9772-394X
dc.identifier.issue2en_US
dc.identifier.volume2en_US
dc.departmentN/Aen_US
dc.identifier.wosWOS:000446918300001en_US
dc.identifier.doi10.5195/cinej.2013.75en_US
dc.institutionauthorAkser, Murat
dc.relation.publicationcategoryDiğeren_US
dc.authorwosidAkser, Murat/G-3490-2014
dc.khas20231019-WoSen_US


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