Spence, Louıse

Spence, Louıse

Name Variants

Spence, Louıse
L.,Spence
L. Spence
Louıse, Spence
Spence, Louise
L.,Spence
L. Spence
Louise, Spence

Job Title

Prof. Dr.

Email Address

Spence@khas.edu.tr

Main Affiliation

Radio, Television and Cinema

Status

Former Staff

Full item page

Scholarly Output

13

Articles

3

Citation Count

0

Supervised Theses

3 Scholarly Output Search Results

Now showing 1 - 10 of 13

Film as a Tool To Rewrite History: New Political Cinema in Turkey
(Kadir Has Üniversitesi, 2010) Paça Cengiz, Esin; Paça Cengiz, Esin; Spence, Louıse; Spence, Louise
In order to "construct" a national narrative, unsettling moments of Turkish history have been disavowed by the official discourse in Turkey. As a consequence, uneasy and therefore repressed knowledge of the past, which has not been appropriated as a part of the official discourse on national history, is finding its existence in cinematic representations. Along with the mainstream films in which the official discourses on history resonate, the growing interest in representing the past in cinema in Turkey has also resulted in the emergence of a new political cinema. This thesis argues that, unlike mainstream historical films which employ conventional narration strategies and propose that they are reinstalling the missing pieces in the national historical narrative, new political cinema in Turkey adopts an experimental form and remarks that history remains elusive and incomplete. By examining two recent films of the new political cinema in Turkey, Sonbahar / Autumn ( Özcan Alper, 2008) and Bulutları Beklerken / Waiting for the Clouds(Yeşim Ustaoğlu, 2004) this thesis suggests that new political films attempt to revise history and its narration by using cinematic means in an unprecedented way. And they incite their viewers to reflect on historical thinking and their relationship with it.
Citation - WoS: 11
Citation - Scopus: 14
The Talking Witness Documentary: Remembrance and the Politics of Truth
(Routledge Journals Taylor & Francis Ltd, 2013) Spence, Louise; Spence, Louıse; Avci, Asli Kotaman
This article argues that the conventional talking witness documentary by relying on memory of experience as evidence employs an inherently conservative politics of truth. Using a recent Kurdish video 5 No.lu Cezaevi/Prison No. 5 (Cayan Demirel 2009) as a case study it considers the opportunities and limitations of the talking witness form as well as its appeals. The essay pays special attention to the documentary's use of mimetic' affective engagement to break into the moral and conceptual space of trauma and the harrowing experiences of men and women who were incarcerated in the notorious Diyarbakr prison in eastern Turkey in the aftermath of the 1980 Turkish coup d'etat thus endeavoring to at once fix and disseminate memories of a violent past that run counter to state-authored versions of that history.
Visualizing the Past in Three Documentary Films
(Kadir Has Üniversitesi, 2013) Ozten, Nilgun; Spence, Louıse; Spence, Louise
The growing presence of subjects narrating their lived experiences in documentaries implies their involvement in the making of their own histories. This thesis explores this subjective dimension by examining the formal methods employed by filmmakers in documentaries in which personal stories are performed and/or narrated by subjects. -- Abstract'tan.
Citation - WoS: 0
The Politics of Documentary
(CINEASTE, 2008) Behlil, Melis; Behlil, Melis; Spence, Louise; Spence, Louıse
[Abstract Not Available]
Citation - WoS: 0
In Focus: Non-Western Historiography? Introduction
(Univ Texas Press, 2010) Guratai, Ahmet; Spence, Louıse; Spence, Louise
[Abstract Not Available]
Citation - WoS: 0
A Companion To the Historical Film
(CINEASTE, 2013) Spence, Louise; Spence, Louıse
[Abstract Not Available]
Citation - WoS: 0
Documentary Film: a Very Short Introduction
(CINEASTE, 2008) Behlil, Melis; Behlil, Melis; Spence, Louise; Spence, Louıse
[Abstract Not Available]
Citation - WoS: 0
Perspective Scholar Louise Spence on Comparing the Soap Opera To Other Forms
(Univ Press Mississippi, 2011) De Kosnik, Abigail; Spence, Louıse; Spence, Louise
[Abstract Not Available]
Citation - Scopus: 17
Crafting truth: Documentary form and meaning
(Rutgers University Press, 2010) Spence, Louıse; Navarro, Vinicius
Documentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success. Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a nanve concept of "truth" and "reality"-for them, documentaries are information sources. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of truth and reality? What aesthetic means are used to build these illusions? A documentary's sounds and images are always the product of selection and choice, and often underscore points the filmmaker wishes to make. Crafting Truth illuminates the ways these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction film.
Citation - WoS: 2
Citation - Scopus: 3
Working-Class Hero: Michael Moore's Authorial Voice and Persona
(Wiley-Blackwell, 2010) Spence, Louise; Spence, Louıse; Navarro, Vinicius
[Abstract Not Available]