Cinema Has Split the Girl's Soul Into Pieces: Scrutinizing Representations of Women in Films From Turkey

dc.contributor.authorCengiz, Esi̇n Paça
dc.date.accessioned2021-01-28T12:09:11Z
dc.date.available2021-01-28T12:09:11Z
dc.date.issued2020
dc.departmentFakülteler, İletişim Fakültesi, Radyo, Televizyon ve Sinema Bölümüen_US
dc.description.abstractThe 1980s in Turkey were marked by the emergence of new cinematic forms, including films dealing with issues regarding female subjectivity. This article argues that within the scope of an extensive body of films produced about women in the 1980s, Her Name Is Vasfiye, Aaahh Belinda!, How to Save Asiye, Ten Women, and My Dreams, My Love and You opened up a significant space for discussions about ideological constructions concerning images of women in cinema. By deploying reflexive and fragmented structures, laying bare the ideological operations of voice-over and dubbing, and deploying the screen personas Türkan Şoray and Müjde Ar as cinematic tools, these films offer up a critique of representations of women onscreen, including the trend of “women's films.”en_US
dc.identifier.citation3
dc.identifier.endpage5498en_US
dc.identifier.issn1932-8036en_US
dc.identifier.issn1932-8036
dc.identifier.scopus2-s2.0-85099441791en_US
dc.identifier.scopusqualityQ1
dc.identifier.startpage5482en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12469/3777
dc.identifier.volume14en_US
dc.identifier.wosWOS:000616658300191en_US
dc.identifier.wosqualityQ3
dc.institutionauthorPaça Cengiz, Esin
dc.language.isoenen_US
dc.publisherUniversity of Southern Californiaen_US
dc.relation.journalInternational Journal of Communicationen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectDubbingen_US
dc.subjectMüjde Aren_US
dc.subjectTurkish cinemaen_US
dc.subjectTürkan Şorayen_US
dc.subjectVoice-overen_US
dc.subjectWomen's filmsen_US
dc.subjectYeşilçamen_US
dc.titleCinema Has Split the Girl's Soul Into Pieces: Scrutinizing Representations of Women in Films From Turkeyen_US
dc.typeArticleen_US
dspace.entity.typePublication
relation.isAuthorOfPublication6f9fa9c3-e89b-424e-b6aa-a791022f2dcd
relation.isAuthorOfPublication.latestForDiscovery6f9fa9c3-e89b-424e-b6aa-a791022f2dcd

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