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Now showing items 61-64 of 64
Return to Reality: Towards A More Tactile Cognition of Film Theory
(Univ Pittsburgh, Univ Library System, 2012)
Film theory has lost itself in the woods among debates of the mind and the senses. Ther are those who are interested in a more tactile sense of the real in film studies. This issue of CINEJ focuses on the documentary truth ...
Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch's Mulholland Drive
(Univ Pittsburgh, Univ Library System, 2012)
This is a reading of David Lynch's Mulholland Drive through psychoanalytic approach of Lacan from the perspective of formation of fantasy and shifting identities. Lynch constructs his films consciously choosing his themes ...
Transperance Me I Want To Be Visible Gay Gaze in Tom Ford's film A Single Man
(Univ Pittsburgh, Univ Library System, 2012)
Classic gaze theory that was underlined by Laura Mulvey in 1975 which claims the male gaze objectifies woman and turns the woman into a sex object, is lack in the explaining gaze from man to man. In Tom Ford's A Single Man ...
Editing The Thin Blue Line: How can we destroy actuality with editing?
(Univ Pittsburgh, Univ Library System, 2012)
Reviews referring to Francis Ford Coppola's Columbia Pictures Bram Stoker's Dracula classic of 1992 recurrently mention the images owing to the camera work of Michael Ballhaus as the striking feature of the movie and highly ...