| dc.contributor.author | Akser, Murat | |
| dc.date.accessioned | 2023-10-19T15:13:00Z | |
| dc.date.available | 2023-10-19T15:13:00Z | |
| dc.date.issued | 2013 | |
| dc.identifier.issn | 2159-2411 | |
| dc.identifier.issn | 2158-8724 | |
| dc.identifier.uri | https://doi.org/10.5195/cinej.2013.72 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12469/5584 | |
| dc.description.abstract | This paper outlines a theory of style and performance in Canadian film based on geography, gender and genre. It is possible to form a theory of Canadian cinema based on theme-genre (strong women, nature as oppressor in dysfunctional family melodramas) in which female characters, as well as their personas, interact with both a physical geography and a social space to define a Canadian identity. | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Univ Pittsburgh, Univ Library System | en_US |
| dc.relation.ispartof | Cinej Cinema Journal | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.title | Nation, Genre and Female Performance in Canadian Cinema | en_US |
| dc.type | article | en_US |
| dc.identifier.startpage | 149 | en_US |
| dc.identifier.endpage | 166 | en_US |
| dc.authorid | Akser, Murat/0000-0001-9772-394X | |
| dc.identifier.issue | 2 | en_US |
| dc.identifier.volume | 2 | en_US |
| dc.department | N/A | en_US |
| dc.identifier.wos | WOS:000446918300010 | en_US |
| dc.identifier.doi | 10.5195/cinej.2013.72 | en_US |
| dc.institutionauthor | Akser, Murat | |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
| dc.authorwosid | Akser, Murat/G-3490-2014 | |
| dc.khas | 20231019-WoS | en_US |
